Not finding what you're looking for? Just email us at hello@barenreiter.us or call us at +1 267 367 4201

George Frideric Handel

Handel: My song shall be alway, HWV 252

$17.95
Frais de livraison calculés lors du paiement.
Format

In stock and typically ships within 1 business day.

Bärenreiter  |  SKU : BA4292-90  |  Code-barres: 9790006532360
  • Composer: George Frideric Handel (1685-1759)
  • Editor: Gerald Hendrie
  • Instrumentation (this edition): Piano Reduction, SATB Choir
  • Originally for: SATB Choir, Orchestra
  • Work: My song shall be alway, HWV 252
  • Work Languages: English, German
  • ISMN: 9790006532360
  • Size: 7.5 x 10.6 inches
  • Pages: 53
  • Urtext / Critical Edition

Description

Handel's three anthems (My song shall be alway HWV 252, O come let us sing HWV 253, O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons, a country estate near to London. They take their nickname, the " Chandos Anthems", from the owner of the estate, the First Duke of Chandos . The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer, who reused particularly successful pieces as starting points for his later works. The scoring for solo voices, chorus, oboe, strings, and continuo was tailored to the musical resources of the small country estate.

Bärenreiter

Handel: My song shall be alway, HWV 252

De $7.95

Description

Handel's three anthems (My song shall be alway HWV 252, O come let us sing HWV 253, O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons, a country estate near to London. They take their nickname, the " Chandos Anthems", from the owner of the estate, the First Duke of Chandos . The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer, who reused particularly successful pieces as starting points for his later works. The scoring for solo voices, chorus, oboe, strings, and continuo was tailored to the musical resources of the small country estate.

Format

  • Vocal Score
  • Full Score
  • Violin I
  • Violin II
  • Cello / Double Bass
  • Oboe
  • Organ
Voir le produit