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New Editions

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BARENREITER RECOMMENDS

Sassmannshaus: Early Start on the Violin - Volume 1

After beginning with open strings and simple note values, learners become acquainted with the 'cuckoo call' (Minor 3rd) as a basic interval for guidance purposes and for mastering good intonation. Volume 1 makes use of nursery rhymes, all of which are supplied with words to ensure that the melody lines can be easily grasped as a whole. All the fingers are introduced in succession, as well as simple accidentals and note values from whole note (semibreve) to eighth note (quaver). From the very beginning the volume places a special emphasis on reading musical notation and offers training in moving from one string to another and basic bowing strokes. Large print and delightful colour illustrations make the volume especially appealing to children. Enclosed is a sheet of cut-out musical cards that allow young learners to invent many puzzle and guessing games and later to master scales and pitch names.

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Back to School! Fresh teaching materials for a fresh start.

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Searching for the True Beethoven

What did Beethoven want?

Many amateurs find his handwriting difficult to read, and even professionals need considerable experience to decipher his autographs. Yet a composer of the stature of Ludwig van Beethoven deserves that every last detail be extracted from his manuscripts and from all other available sources.

The film “Searching for the True Beethoven: Bärenreiter Urtext Editions” offers insight into how Beethoven editions are created. Its protagonist is Jonathan Del Mar, a leading Beethoven scholar who has devoted much of his life to the study of this composer. In the film, he explains how he carries out his editorial work so that conductor Sir Simon Rattle, pianist Igor Levit, and the Pierrot Quartet can interpret and perform Beethoven’s music as the ingenious composer intended. These musicians also appear in the film, demonstrating how exciting it is to incorporate Del Mar’s scholarly work into their performances.

A Distinctive Musical Voice: The Oboe as Soloist and Chamber Music Partner

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The Piano Trio: Three Instruments – Three Ideal Partners

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A Gateway to Real Piano Literature – The easiest original piano works by 21 composers

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100 Years of Bärenreiter

 In 1923, a year marked by extremes including inflation, depression, excessive parties, workers' riots, and political instability, Bärenreiter emerged. Founded by Karl Vötterle, a young man not yet of age, the company's humble beginnings consisted of publishing folksong collections, later expanding to include church and organ music editions.

Over the span of a century, Bärenreiter has evolved into an internationally renowned publisher, earning acclaim for its musicological editions that have captivated musicians worldwide. Today, musicians across the globe hold the BÄRENREITER URTEXT seal in high regard, recognizing it as a symbol of editions meticulously crafted through a comprehensive assessment of all available sources, while also considering the performer's needs.

What does "Urtext" mean?

'Urtext'. The very word smacks of dusty libraries and crumbling manuscripts that have to be handled with kid gloves. But behind the idea of 'Bärenreiter Urtext' are people passionately devoted, then and now, to living music. People who consider music a necessity of life, not a decorative adjunct.

All composers, whether a servant to a higher realm like Bach, or a genius like Mozart who composed faster than he could write, or a rebellious hero like Beethoven, have a precise idea of what their creations should sound like. But circumstances may have conspired to alter those creations or to detach them from their original idea.

Musicologists invest their every effort to reconstruct the intentions of the composer from the surviving sources. In a painstaking process of comparison, evaluation, decision-making and verification, they produce a version that will then appear in print and on the music stands of concert halls, opera houses or one's own living room.

Finally, musicians need a reliable basis for their art. No one who has studied the great works of music history will trust slipshod editions. Only the very best is good enough for the geniuses of the past.

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